While on the one hand, the Titan represents one who does not accept the human condition and who wants to steal the divine fire, on the other hand, only a small difference separates the hero from the Titan. Thus Pindar exhorted people not to "yearn to become like gods"; also, in the Hebrew mythology, the symbol of Adam's curse acted as an analogous warning and indicated a fundamental danger. The titanic type - or, in another respect, the warrior type - is, after all, the prime matter of which heroes are made. But in order to implement a positive solution to the dilemma, that is, to attain an Olympian transformation as the reintegration of the primordial state, it is necessary to fulfill a double condition.
First of all, it is necessary to show the proof and the confirmation of the virile qualification; thus in the epic and knightly symbolism we find a series of adventures, feats, and fights. This qualification should not become a limitation, a hubris, a closure of the "I," and it should not paralyze the capability of opening oneself up to a transcendent force, in function of which alone can the fire really become light and free itself.
Second, such liberation should not signify a cessation of the inner tension; thus a further test consists in adequately reaffirming the virile quality on the supersensible plane. The consequence of this is the Olympian transformation or the achievement of that dignity which in iniatory traditions has always been designated as "regal." This is the decisive point that differentiates the heroic experience from every mystical evasion and from every pantheistic confusion; among the various symbols that may refer to this point is the symbolism of the woman.
...a very widespread symbolism has seen in the woman a vivifying and transfiguring power, through which it is possible to overcome the human condition...
-Julius Evola, The Mystery of the Grail - pg 20-23
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